How Butcher Bird Studios worked with Adobe Premiere Pro’s Team Projects and the LumaForge Jellyfish to conquer alien challenges and launch an online pilot for Airbnb and National Geographic. —ProVideo Coalition
All in Premiere Projects
How Butcher Bird Studios worked with Adobe Premiere Pro’s Team Projects and the LumaForge Jellyfish to conquer alien challenges and launch an online pilot for Airbnb and National Geographic. —ProVideo Coalition
Discover how The Florida Project was edited in Premiere Pro. This video tells the story of how editor, Mike Hugo, got paired up with auteur filmmaker, Sean Baker, to edit the film in an unconventional way.
I recently had a chance to interview the show's editors, Kyle Reiter and Isaac Hagy, about working on Atlanta and their use of Adobe Premiere Pro CC to edit the series. —Oliver Peters, Creative Planet Network
In the world of photojournalism, Sir Don McCullin is a legend... So when Clive Booth, himself an accomplished photographer, was given the opportunity to capture the man behind the lens, he jumped at the chance... Clive and his team are one of the first to use Adobe Team Projects for a documentary film. —Adobe
Unless you’re a climber, the name Fred Beckey may not ring a bell. But an award-winning crew of producers and editors set out to change that with the movie Dirtbag: The Legend of Fred Beckey... Director Dave O’Leske, had already spent a decade filming Fred... Jason Reid and his co-editor Darren Lund... dropped all of the footage, including scanned archival content, into Adobe Premiere Pro, and cut Dirtbag. —Adobe
As a seasoned Hollywood storyteller, Darius Stevens Wilhere has pretty much seen and done it all... a decade ago the founder of Dare Cinema moved all of his work over to Adobe... "I told them they should be more concerned with the edit than the software.” This is precisely the message he conveyed to his latest convert and colleague, Rob Schneider—creator, writer, director, and protagonist of the real-life Netflix series Real Rob. —Adobe
The Emmy-award-winning FX series Atlanta is edited entirely with Adobe Premiere Pro CC. Go behind the scenes to see how the editors bring fresh episodes to life in one accelerated workflow. —Adobe
AE Mike Hugo and post supervisor Bernie Laramie talk post, Premiere Pro and 35mm film. —Scott Simmons, ProVideo Coalition
As promised, here is the full editing walkthrough for the Sunday Drive short film I recently here on the channel. —Austin Newman
Hidden level. You've probably never heard of it. This is what happens when your editing staff gets bored. —Guy Bauer Productions
Academy Award-nominated director Christopher Nolan has referred to his film Dunkirk in IMAX as “virtual reality without the goggles,” so when it came time to build Save Every Breath: The Dunkirk VR Experience, the team at Practical Magic knew that the stakes were higher than usual... I recently got to speak with both [Practical Magic’s Matt Lewis] and [Adobe’s Director of Immersive, Chris Bobotis] about building the VR experience, how Adobe’s extensible and democratized tools made Save Every Breath: The Dunkirk VR Experience possible, and how VR is a perfect medium for emerging talent. —Kylee Peña, CreativeCOW
Vashi Nedomansky edited the film “6 Below: Miracle on the Mountain” which is the first feature film edited natively in 6K resolution. While visiting Sundance 2018, I had a chance to sit down with Vashi and talk through the creative and technical challenges of post-production on this film. —Matthew Jeppson, ProVideo Coalition